Archive for the ‘Insanity’ Category

Cloud Atlas (2012)

 

If you didn’t see this movie on the big screen, you missed out.  If you missed it entirely, you fucked up.  And if you were one of those who called it “the worst movie of the year” (whoever Mary Pols at Time magazine is; stupid stupid Peter Travers) – God help you.  When this movie comes to be seen as a lost classic in a few years, you may wish you weren’t so nasty.

I won’t be gloating though.  I choose the avenue of love.  This movie encouraged me to be that way.  This movie is about a lot of things I may or may not believe in – fate, true love, reincarnation of sorts – and it made me believe – strongly – in them all.  That’s the power of love, son.  That’s the power of cinema.  And I was skeptical too.  I’ve always liked the Wachowskis but I’m not as high on THE MATRIX as so many are (although, weirdly, I liked the sequels better than most), and I haven’t seen a Tom Tykwer move that really resonated with me since RUN LOLA RUN.  Most of all, without having read David Mitchell’s original novel it was hard to tell in advance what the hell this movie was going to be about.  Answer:  It’s kinda about everything.

It’s a 19th-century nautical drama involving slavery and other human cruelties.

It’s a period piece about the creation of classical music and an impossible romance.

It’s a 1970s political thriller about an intrepid reporter (co-starring THE THING‘s Keith David as SHAFT‘s Shaft!).

It’s a whimsical farce about an attempted escape from a nursing home.

It’s a science-fiction anime action-movie love-story.

It’s a post-apocalyptic future-tropical tribal-warfare-slash-horror-movie that turns into a campfire fable.

It’s like no other movie I’ve ever seen before, which for the record is exactly why I go to the movies:  To see things I haven’t seen before.  The performances are surprising and exhilarating, the score is clever and moving, the cinematography is colorful and absorbing, the scope is bold and ambitious.  Does it matter too much that some of the storylines are more affecting than others?  You think I care about anybody’s stupid little quibbles over some of the makeup effects?  This is a movie that shoots for the moon and more than once hits the stars.  This movie didn’t just surprise me with what it is – it surprised me about ME.  It’s sad that more people haven’t embraced it yet, but believe me, I’m happier loving this movie than you are disregarding or ignoring it.  Feel free to come over to this side anytime!

I wrote this for Daily Grindhouse and reposted it here because CLOUD ATLAS is out on DVD & Blu-Ray today. Now’s your chance to remedy the mistakes of the past…

@jonnyabomb

Pacific Rim Elysium (2013) Anchorman 2

There are some potentially great movies coming out this year. Go anywhere else on the internet and you will read about movies like PACIFIC RIM and ANCHORMAN 2 and THE WORLD’S END and ELYSIUM. I’m excited about those too. There’s also all the obvious nerd bait like STAR TREK INTO DARKNESS and HUNGER GAMES 2 and THOR THE DARK WORLD. Not really my thing, but it’s certainly understandable if those are the kind of titles that make your heart do a happy dance.

But step off the beaten path with me. Let’s take a moment to give some attention to the real weirdos out there. Let’s look at some of the movies of 2013 which no one in their right mind is looking forward to. I’m not talking about intentional cult items like MACHETE KILLS or ESCAPE PLAN. Those movies are that guy or girl at the party who’s trying too hard to be sexy and therefore failing big for exactly that reason. I’m talking about the ugly guys or girls who just don’t give a fuck what you think they look like. They just wandered in off the street because they got a whiff of the guacamole dip.

This isn’t about schadenfreude.  Well, I’m no saint. There are a couple movies I wouldn’t mind watching crash and burn. In that category are ENDER’S GAME — written by a bigot, directed by the guy who made X-MEN ORIGINS: WOLVERINE; sure, no way that pairing could go wrong — and a pair of Vince Vaughn movies, one where he hangs out at Google for an entire movie and another movie where he plays a sperm donor, because no one learned anything from THE SWITCH and holy Lord do I ever not want to see or ever be asked to think about Vince Vaughn donating sperm.

But generally, my natural good nature wins out and I am a sweetheart who only wishes the best for everyone. Still, there are some movies coming up in 2013 whose very existence perplexes me. And that in turn makes me curious. Call me a a jerk, a creep, a kook, a contrarian, a nihilist, an anarchist — I’ve been called all of those things before and that was only this morning at the nunnery — but I like really bizarre movies that make no rational sense, and I like it even better when those movies turn out to be entertaining.  So the following bunch is a group I’ve got my eye on in 2013 (some are getting real close now!):

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Assault on Wall Street (2013)

ASSAULT ON WALL STREET (May 10)

Why It Could Be Cool:

It’s ASSAULT ON PRECINCT 13 meets WALL STREET!

Why It Probably Won’t Be:

It’s ASSAULT ON PRECINCT 13 meets WALL STREET!

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Java Heat (2013)

JAVA HEAT (May 10)

Why It Could Be Cool:

It’s the caveman version of HEAT!

Why It Probably Won’t Be:

Mickey Rourke may actually be an Al Pacino, but Kellan Lutz is no Robert De Niro. I mean, maybe he is. I’ve only seen him in ARENA. He did not come off too brightly there. Also, his name is Kellan Lutz.

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Robosapien

CODY THE ROBOSAPIEN (May 28)

Why It Could Be Cool: “From the producer of SPIDER-MAN, X-MEN, and IRON MAN…”

Why It Probably Won’t Be: …And the director of SOUL SURFER!

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Sinbad The Fifth Voyage (2010)

SINBAD THE FIFTH VOYAGE (May 31)

Why It Could Be Cool:

Pseudo-stop-motion-animated skeletons!

Why It Probably Won’t Be:

Skeletons aside, this looks impressively bad. Like ten dollars worth of stolen garbage. I bet you Sinbad doesn’t even do his MacDonald’s milkshake routine!

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After Earth (2013)

AFTER EARTH (May 31)

Why It Could Be Cool:  Will Smith! A clone of Will Smith! Space! Volcanoes! Monkeys!

Why It Probably Won’t Be: M. Night Shyamalan.

But that also means it could be as funny as THE HAPPENING. At this point, Shammy is probably done for as a serious director. But as a director of hilariously-solemn unintentional-comedies, he’s got a better shot than most.

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Hammer of the Gods (2013)

HAMMER OF THE GODS (July 5)

 

Why It Could Be Cool: It’s a movie about Vikings!

Why It Probably Won’t Be: Vikings that say “Kiss my axe.”

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R.I.P.D. (2013)

R.I.P.D. (July 31)

Why It Could Be Cool: I’ll never not have hope for a movie that has Jeff Bridges and James Hong in it,

Why It Probably Won’t Be: It’s trying way, way hard to be both GHOSTBUSTERS and MEN IN BLACK at the same time. See if you can spot the big, gaping difference.

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Bob the Butler (2005)

THE BUTLER (October 18)

The Butler (2013)

(no poster yet, but here’s a picture of Terrence Howard, Oprah Winfrey, and her lovely, ‘volumptuous’ tig ol’ bitties)

Why It Could Be Cool: There are a lot of good actors in this movie.

Why It Probably Won’t Be: Watch the trailer. Listen to and look at all the shit those good actors are made to do, say, and wear. Listen to that music. Have you done all three? Great! Now your incontinence is cured!

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Gallowwalkers

GALLOWWALKER(S) (release date unknown, may actually have already been out for two years)

Why It Could Be Cool:

It’s exactly BLADE, but then also a Western!

Why It Probably Won’t Be:

I mean let’s be reasonable with our expectations here.

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Bookmark this page because I will be updating it as I discover more beautiful treasures!

@jonnyabomb

AGE OF THE DRAGONS (2011)

I can’t speak for every dude who writes about movies on the internet, but as for me, it’s not like I don’t have any options at all as to how to spend my free time. Sure, I fit the stereotype of single and brainy, but I also bring plenty to the dating pool. I’m generally considered to be sweet, thoughtful, loyal, and giving. Most people find me funny. I’m certainly presentable, even considered outright attractive from some angles. I’m currently regularly-employed and employable. I’m terrific with kids and I’ll make a great father one day. Animals also love me (though not always cats). The ladies reading this may be asking, What’s the downside?

Well ladies, the answer may be that I’m addicted to movies. Addicted. Big-time. I don’t know why, but I can’t go more than a day without one. And there’s only so many times you can watch GOODFELLAS or PULP FICTION or BOOGIE NIGHTS or whatever finite number of acceptable classics that normal guys my age watch, before you start sniffing around the outskirts of what’s out there in the great beyond, movie-wise. Sometimes that search can result in a great discovery, and most other times it doesn’t.

When I saw a preview somewhere for AGE OF THE DRAGONS, I knew I was in trouble. Somebody made a version of MOBY DICK starring PREDATOR 2‘s Danny Glover as Melville’s Captain Ahab, in the relentless and dangerous pursuit, not of a great white whale, no, but instead, of a great white dragon.

Aw hell.

I’m gonna have to watch that.

RIGGS!

MOBY DICK is often cited as The Great American Novel. Every author is out there trying to write one, but Herman Melville did it almost two hundred years ago. The book is its own Great White Whale. It has influenced countless writers and their works, been adapted to film multiple times, and has many obvious and less obvious descendents in movies such as JAWS and ALIENS. MOBY DICK is so many things — a historical document detailing the whaling industry of its era, a lierary allegory, a character study of obsession and madness, a rousing adventure tale… It’s really good! You should read it.

For a book of more than six hundred pages, the main plot of MOBY DICK is perfectly simple: A young sailor named Ishmael and his friend Queequeg, an intimidating foreigner, get a job on a whaling ship called the Pequod. They meet the first, second, and third mates on the ship — Starbuck, Stubb, and Flask, respectively — but it’s a while before they meet the ship’s captain. When he arrives, he basically takes over the book. Ahab is a vengeful Quaker (which is an oxymoron, for the record) out to destroy the white whale who, in an earlier encounter, scarred him and took his leg. The only question is how many of the crew members will survive his deranged quest.

I love this story — it kind of has an elemental appeal to me at my center. It’s based on a true story! I love stories about sea monsters. As a kid my family took summer vacations to some of the areas described in the book. I grew up obsessed with the whale at the Museum Of Natural History in New York. And technically I’m half Quaker, so I even get that part of it. All of this is a run-up to say that I have more than a passing familiarity with the source material for AGE OF THE DRAGONS, which is why I found it to be even more of a bizarre anomaly than I figured it was going to be.

AGE OF THE DRAGONS is so remarkably bizarre precisely because of its fidelity to MOBY DICK. There is no question that the people who made AGE OF THE DRAGONS have read MOBY DICK, which is both what makes it strangely admirable and what makes it so weird. Let’s look at some of the similarities and the differences.

Well, besides, the obvious.

MOBY DICK.

MOBY DICK is about a large angry whale.

AGE OF THE DRAGONS.

AGE OF THE DRAGONS is about a fire-breathing dragon.

In AGE OF THE DRAGONS, the action is shifted from sea to land. The dragons can fly, but the men who hunt for them travel on land. (Sky-boats would have been a little too crazy. Duh.) Still, their choice of vehicle is in fact a boat.

Boat.

The boat does have wheels, so I guess that makes sense, and the terrain they cover is generally coated with blankets of snow, so technically the boat is travelling over expanses of water, but again, let’s not mince words here: This is fucking weird. I mean, if you want to get all film school on it, you could possibly attribute the snow boat to being an extended reference both obliquely and literally to Werner Herzog’s FITZCARRALDO, another story of mad obsession, but that doesn’t change the fact that it’s a fucking snow boat in a dragon-hunting movie.

Not only that, but the winter is apparently one of the utmost extremes, so you know what that means….

Ahab Snow Ninja

!!!SNOW NINJAS!!!

Snow Ninjas.

At every moment where I got anywhere near taking this movie seriously, somebody would show up dressed like a snow ninja and I’d have to chuckle. Which is totally fine. There isn’t anything at all wrong, from where I’m sitting, with a movie about dragon-fighting snow ninjas. But if you’re going to make a movie like that, you ought to have a sense of humor, and AGE OF THE DRAGONS is played for straights. It’s pretty dour and grim, missing the fact that Herman Melville had a satirical eye, having penned lines for MOBY DICK like “Better to sleep with a sober cannibal than a drunk Christian.”

But I guess the makers of AGE OF THE DRAGONS figured, if they were going to take the sense of humor out of MOBY DICK, they’d better put something else in, and what they settled on was — you guessed it — a pretty girl. Her name is Rachel, which, despite there being no character like her in MOBY DICK, actually does mean something in reference to the novel. (I think the Rachel is the name of one of the boats.) Here the character is Ahab’s daughter, who he took in after her family was killed by dragons. Ishmael takes a shine to her, I guess because she’s a better bunkmate than Queequeg, which Ahab doesn’t like but what did he think was gonna happen, really. The actress doesn’t resemble Danny Glover much, which I guess is a virtue because let’s face it, she’s only really in the movie for stuff like this:

Girl.

Outside of Danny Glover, there’s no one in this movie you’ve heard of before, except for Vinnie Jones. My British friends know Vinnie Jones from his soccer — sorry: football — career, and my American friends know him from SMOKIN’ ACES 2, X-MEN 3, and GARFIELD: A TALE OF TWO KITTIES. He plays Stubb in this movie, but not for long. A dragon breathes on him and he turns into a pile of dust. Sorry if that’s a spoiler. I don’t think anything like that happened in the Melville text, but I guess they only had Vinnie Jones budgeted for a couple days on this shoot. It doesn’t feel like an organic storytelling decision, is what I’m implying.

Vinnie.

Anyway the main reason I wanted to see this movie was to see Danny Glover acting weird and talking a lot about dragons, and in this respect I did not walk away disappointed. Basically Danny Glover hates dragons because when he was a young Danny Glover, he and his sister were walking through the woods and a dragon showed up. The dragon turned his sister into a pile of ashes like it did to Vinnie Jones, and it also burned Danny Glover up pretty bad, to the point where he can’t go out in direct sunlight. On one hand that’s a bummer, but on the other hand….

Danny Glover in Snow Ninja outfit.

Danny Glover in Snow Ninja outfit.

As I was watching this movie, which has a lot of dull parts — really too many, for a movie that has dragons and Danny Glover dressed like a G.I. Joe character — I gave a lot of thought to Danny Glover, who is an actor I have a ton of affection for, but who has been really under-served by the movies, I think. He’s definitely a guy who has “important actor” status, but who hasn’t been in as many great things as he should or maybe could be.

Danny Glover High Points:

ESCAPE FROM ALCATRAZ (Clint)

WITNESS (a rare villainous turn)

THE COLOR PURPLE (probably, I haven’t seen it)

LETHAL WEAPON (obviously)

A RAISIN IN THE SUN (Bill Duke version)

LONESOME DOVE

TO SLEEP WITH ANGER

THE ROYAL TENNENBAUMS (funniest part of the movie)

DREAMGIRLS

Personally, I liked SILVERADO, PREDATOR 2, PURE LUCK, and BE KIND REWIND also, but I don’t know if those roles necessarily go on the highlight reel. (PURE LUCK is pretty bad, actually, but it’s a Martin Short movie, so.)

I guess the point I’m making is, for such a prestigious actor, there sure are a ton of movies like OPERATION DUMBO DROP, GONE FISHIN’, LETHAL WEAPON 4, and SAW, on that resume, which also includes an unfair amount of shitty TV shows. Of course Danny Glover has been in some great stuff, but not enough. He needs some Fincher or Mann or Spike or Spielberg in his future. I mean, of course I enjoyed seeing him like this –

Riggs!

– but there aren’t too many of me. I’m a guy who will spend this much time thinking about a version of MOBY DICK that has dragons: Through me does not necessarily pass the road towards Oscars and widespread critical acclaim. And even with that said, I’d probably rather see a sincere version of MOBY DICK than a silly one which I can only watch in the middle of the night when there’s no female presence around to stop me. There’s no reason why Danny Glover couldn’t be given a movie where he can play Captain Ahab for real. He shouldn’t be stuck playing some weird groaning Gollum-esque character lurching around in a cave in Utah at computer-animated dragons.

Seriously, you should see the part when he fights the great white dragon at the end and gets his leg caught in the harpoon — if only for a textbook definition of anti-climax. I mean, I haven’t said much about the effects of the movie: The production value is actually rather good — I liked the sets and the costumes and even a couple of the scenes of the dragons. The actors all take it as seriously as they’re asked to, and the music by J Bateman (either Jason or Justine, I’m not sure which) is better than average for a movie of this type.

But the movie’s pace is slack and all the good dragon bits all happen early on — it’s like the production blew their dragon wad early, and like a bad lover with no follow-through, skimped on the effects in the final scenes. Even Danny Glover turns into computer animation, a cluster of pixels being dragged away on the tail of a fake monster. If it wasn’t enough that he was asked to overact through the entire movie, he doesn’t even get to leave it with any dignity.

So AGE OF THE DRAGONS, sadly, probably not a thing I can recommend. But at least I learned a thing or two about myself.

I learned that all you have to do is say the word “dragons” and I will watch your movie. It’s a foolproof method of advertising. Everyone and their grandma use more common sales pitches such as “boobs” “monkeys” and “explosions” to lure me in, but not everyone promises “dragons” and that brings my eyes over, every time.

The other thing I learned is that if I had any brains at all, I would have just watched JAWS for the 57th time. So maybe strike “brainy” from that list of datable qualities I listed up top in reference to myself.

@jonnyabomb

POSSESSION would be one of the rawest, most vicious, most harrowing films ever made about love and marriage and the awful dissolution of both, even if there weren’t an oozing Lovecraft-style tentacle demon sitting squarely and evilly in the middle of it.  Polish director and co-writer Andrzej Żuławski reportedly made the film in reaction to a painful divorce, and it shows.  This movie had to have been made by someone who knows what it’s like to be in love, and then out of it.  (The internet tells me that Żuławski has since been with and NOT with Sophie Marceau, so his highs and lows may be higher and lower than most.)

Dashing genre legend Sam Neill plays Mark, the husband going through hell on earth, and the fierce and striking Isabelle Adjani plays Anna, the wife whose mysterious personality-flip drives him to madness.  Mark returns from a trip and is immediately welcomed by Anna with a divorce request.  He feels totally bushwhacked.  They have a young son, who it seems Anna has totally abandoned, both emotionally and literally.  Anna has taken up with a new lover (Heinz Bennent) — who isn’t that new, actually, as he’s almost twice her age.  But despite the brutal slugfest that ensues between Mark and Heinrich, the new guy isn’t half the problem, really.  Something confusingly supernatural seems to be at work — Mark meets his son’s teacher, Helen, who is a dead ringer for Anna (Isabelle Adjani plays a dual role), while Anna is acting more and more unhinged, animalistic, and self-destructive, and oh yeah, that incredibly vile monster mentioned up top is starting to make house visits.  If all of this is sounding crazy, you need to see the movie because it plays seven-hundred times crazier than it sounds.  You’ve never seen anything like it.

POSSESSION has an odd, frenzied, almost jumbled energy right from the outset, for many reasons, one of which being that this is an international production.  The film’s director is from Poland, its leading man from New Zealand, its leading lady from France, and its setting and filming location is in Germany.  This makes it interesting and vibrant, while lending it a personality clash that probably serves the narrative well.  The cinematography by Bruno Nuytten (who, maybe not for nothing, had a relationship with Isabelle Adjani) is fascinating — though it has the look of most British film at the time, and the film for long stretches wouldn’t look out of place on PBS, it picks up a whirling momentum that adds greatly to the disorienting effect of the events onscreen.  The unusual score by Andrzej Korzynski has a similar effect.  There’s nothing safe or reassuring about POSSESSION once it gets going, least of which its perfomances. 

Sam Neill is a phenomenal actor whose ability to project sly intelligence has seen him cast equally as heroes and villains.  He was once screen-tested for the role of James Bond and I see no reason why that wouldn’t have worked, except that it may have kept him away from many of the other interesting roles he’s played.  In POSSESSION he’s playing something closer to an everyman, though if you read “hero” when you look at him early in the film it certainly helps, as does later on his capacity to suggest darkness. 

But it’s Isabelle Adjani who rips the film away and threatens to disembowel the very machinery that is projecting it.  When critics call a performance “fearless”, they really have no barometer with which to judge that virtue if they haven’t seen Isabelle Adjani in POSSESSION.  This is without a doubt one of the bravest, least self-conscious, most go-for-broke frightening performances ever committed to film, regardless of gender.   Gender does matter, though.  This role captures all the allure, the awe, and the fear that feminine sexuality instills in men.  Mark cannot comprehend the changes that Anna is going through, and it scares the hell out of him. 

The dedicated physicality that Isabelle Adjani brings to bear is far more formidable than any monster could ever be, even though this film has a creepier monster than most – brought to life by Carlo Rambaldi, the effects genius who designed E.T.!  Rambaldi also had a hand in the creation of the title character in ALIEN, another film that generates horror by evoking sexual imagery — though that one is far more subtle than this one.

POSSESSION is incomparably bold, personal filmmaking.  Some of those who have seen it have balked at classifying it in the horror genre, since it is so unusual and resistant to classification, and because it is possible (I think wrongly) to read the supernatural elements as metaphorical.  But again, even if there were no tentacle-beast pulling the strings, this film would still have nearly as visceral an impact, due to its incredible lead performances and the concerted efforts of its crew.  POSSESSION is bruising and unforgettable and most of all shocking, long before anyone walks into that room and sees the unholy thing writhing on the ground.  The only reason that more people don’t know about this movie is because most people probably couldn’t handle it.

POSSESSION is tonight’s midnight screening at Cinefamily in Los Angeles, as part of their month-long Video Nasties celebration.  LA, you are so lucky. 

Me on Twitter:  @jonnyabomb

 

Wanted to clue everyone in to a guest post I did for the terrific movie blog Rupert Pupkin Speaks, which has been inviting all kinds of well-travelled movie writers to contribute their lists of favorite quote-unquote “bad” movies.  (It’s all subjective, right?) 

I think you’ll enjoy this one.  I had a lot of fun putting it together.  I’m very proud to be featured on another site I enjoy, amongst some fun people.  You’ll have to click through to get to the meat of what I wrote, but I wanted to share some posters, still frames, and YouTube clips also, so scroll down for those.

>>>Read my list HERE!!!<<<

If you know me or have stopped by my site before, you know that this is hardly the end of my voyage into tremendous cinematic badness.  It’s only the beginning.

The journey continues! 

Find me on Twitter:  @jonnyabomb.

 

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This movie is from Japan.  It is named Zombie Ass: Toilet Of The Dead.

1. There was really never a chance I wouldn’t put this trailer on my website.

2. I’m a total idiot and that’s apparently not going to change.  Believe it or not my family is very proud of me.

P.S. They don’t read my website.

Find me on Twitter: @jonnyabomb