Archive for the ‘Movies (K)’ Category

DAILY GRINDHOUSE BANNER

Daily Grindhouse would be pretty much my favorite website even if I weren’t writing for them, but since I am, here’s a collection of all my work so far.  It’s some of my very best stuff. Enjoy!

Alex Cross (2012) ARMY OF DARKNESS (1992) Assault on Precinct 13 (1976) BATMAN (1989) Charley Varrick (1973) Conquest (1983) Creature (2011) Dredd (2012) Drive Angry (2011) End of Watch (2012) Evil Dead (2013) Eyes Without A Face (1960)Fist Of Legend (1994) Get Carter (1971) GI Joe Retaliation (2013) The Great Silence (1968) Gremlins 2 - The New Batch (1990) The Grey (2012) Halloween (1978) Hannie Caulder (1971) HOUSE (HAUSU) (1977) Hit Man (1972) The Iceman (2013) The Imaginarium Of Doctor Parnassus (2009) The Invisible Man (1933) Iron-Man-3-2013 Island of Lost Souls (1932) Jackie Brown (1997) Killing Them Softly (2012) LADY TERMINATOR (1989) Lawless (2012) Liz & Dick (TV, 2012) Lockout (2012) The Lords of Salem (2013) The Man with the Iron Fists (2012) Maniac Cop (1988) Premium Rush (2012) Raw Meat (1972) Relentless (1989) Shaft (1971) Sheba, Baby (1975) Spring Breakers (2013) Super (2011) The Texas Chainsaw Massacre (1974) Texas Chainsaw 3D (2013) The Town That Dreaded Sundown (1976) Tremors (1990) Vigilante (1983) WHICH WAY IS UP (1977)

Make Daily Grindhouse your daily destination for genre movie news, reviews, and interviews — there’s a ton of truly great content over there, beyond just the parts with my name on ‘em.

And follow me on Twitter for updates!: @jonnyabomb

This collection has been much-requested and a long time coming.  To get at the reviews, just click on the movie poster of your choice.  And be sure to bookmark this page, because it’s bound to get updated frequently!

         Age Of The Dragons (2011) Alex Cross (2012)          Assault On Precinct 13 (1976)       The Bay (2012)        Big Fan (2009)    Black Death (2010)          Brothers (2009)               Cloud Atlas (2012)   Conan The Barbarian (1982) Conquest (1983)    CREEP (2004)  

The Dark Knight (2008) The Dark Knight Rises (2012)               Django Unchained (2012)           Evil Dead (2013)         Fist Of Legend (1994) Flight (2012)       Get Carter (1971)    gi_joe_retaliation_ver30 THE GIRL WITH THE DRAGON TATTOO (US, 2011).          The Grey (2012) Halloween (1978)       Hardware (1990)   The Haunted World of El Superbeasto (2009)    Hit Man (1972)          The Iceman (2013)        THE INSIDER (1999)  The Invisible Man (1933)  Iron Man 3 (2013) Island Of Lost Souls (1933)        Killer Joe (2012) Killing Them Softly (2012)          LadyTerminator                Lincoln (2012)   The Lords of Salem (2013)      Maniac Cop (1988)                           Peeples (2013)                  The Raid (2012)       Relentless (1989)    SALT (2010) Bill Hicks Sane Man (1989)   SCROOGED (1988)  Severance (2006) Shaft (1971)       Southern Comfort (1981)    Spring Breakers (2013)  THE SQUID &THE WHALE (2005)               The Texas Chainsaw Massacre (1974) Texas Chainsaw 3D (2013)      The Tourist (2010)  THE TOWN THAT DREADED SUNDOWN (1976)      Triangle (2009)             Vigilante (1983)                X-Men Origins: Wolverine (2009)  

For constant news about updates, follow me on Twitter:  @jonnyabomb

And we’re back!  Ready for round two.  Inspired again by my friend-in-movies at Rupert Pupkin Speaks, I’m re-presenting and reshuffling my top fifty movies of all time.  “Reshuffling” sounds a little more extreme than what I’ve done here — most of the titles remain the same, and the order isn’t much different.  But there’s a fair amount of new blood, and I’ve updated the links to any movies I’ve written about at length (those are bolded in red.) 

This list is absolutely subject to change, so keep watching this space, but while you’re at it, don’t forget to keep watching the skies.

1. THE GOOD, THE BAD, & THE UGLY (1966).

2. GHOSTBUSTERS (1984).

3. DAWN OF THE DEAD (1978).

4.  ONCE UPON A TIME IN THE WEST (1968).

5.  UNFORGIVEN (1992).

6.  KING KONG (1933).

7.  PREDATOR (1987).

8.  MANHUNTER (1986).

9.  BIG TROUBLE IN LITTLE CHINA (1986).

10.  MOTHER, JUGS & SPEED (1976).

11.  John Carpenter’s THE THING (1982).

12.  HEAT (1995).

13.  FREAKS (1932).

14. JAWS (1975).

15.  Berry Gordy’s THE LAST DRAGON (1985).

16.  THE WILD BUNCH (1969).

17.  SHAFT (1971).

18.  BEVERLY HILLS COP (1984).

19.  THE BIG GUNDOWN (1966).

20.  SEA OF LOVE (1989).

21. RAISING ARIZONA (1987).

22.  EVIL DEAD 2 (1987).

23.  OUT OF SIGHT (1998).

24.  THE INSIDER (1999).

25.  ALLIGATOR (1980).

26.  COLLATERAL (2004).

27.  THE GREAT SILENCE (1968).

28.  AN AMERICAN WEREWOLF IN LONDON (1981).

29.  MY DARLING CLEMENTINE (1946).

30.  CREATURE FROM THE BLACK LAGOON (1954).

31. PRIME CUT (1972).

32. WATERMELON MAN (1970).

33.  GROSSE POINTE BLANK (1997).

34.  25th HOUR (2002).

35.  COFFY (1973).

36. QUICK CHANGE (1990).

37.  MAGNOLIA (1999).

38.  HANNIE CAULDER (1971).

39. ESCAPE FROM NEW YORK (1981).

40.  48 HRS. (1982).

41.  GOODFELLAS (1990).

42.  SHOGUN ASSASSIN (1980).

43.  PURPLE RAIN (1984).

44.  THE UNHOLY THREE (1925).

45.  TRUE GRIT (2010).

46.  THE PROFESSIONALS (1966).

47.  VIOLENT CITY aka THE FAMILY (1973).

48.  THE HIT (1984).

49.  EMPEROR OF THE NORTH POLE (1973).

50.  ATTACK THE BLOCK (2011).

50 1/2.  The five-minute skeleton swordfight in JASON & THE ARGONAUTS (1963).

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And that’s that…. for now.

For a little bit more all the time, find me on Twitter:  @jonnyabomb

 

Wanted to clue everyone in to a guest post I did for the terrific movie blog Rupert Pupkin Speaks, which has been inviting all kinds of well-travelled movie writers to contribute their lists of favorite quote-unquote “bad” movies.  (It’s all subjective, right?) 

I think you’ll enjoy this one.  I had a lot of fun putting it together.  I’m very proud to be featured on another site I enjoy, amongst some fun people.  You’ll have to click through to get to the meat of what I wrote, but I wanted to share some posters, still frames, and YouTube clips also, so scroll down for those.

>>>Read my list HERE!!!<<<

If you know me or have stopped by my site before, you know that this is hardly the end of my voyage into tremendous cinematic badness.  It’s only the beginning.

The journey continues! 

Find me on Twitter:  @jonnyabomb.

 

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I probably should be doing about 50 other things at this very moment, but I saw this great top-50 list today and was inspired it to immediately answer it.  I made my list very, very quickly, so in plenty of ways it’s the most honest form a list like this could ever arrive in.  While the numbering is fairly arbitrary (until the top five, where shit gets definite) and while the contents could easily change as soon as five minutes from now, this is still a fairly good representation of what a top fifty movies list from me should look like.  Anyway, let’s hit it.  Links where they fit.  I eagerly await any and all comments you might make!

50. Watermelon Man (1970).

49. Fletch (1985).

48. The Great Silence (1968).

47. Creature From The Black Lagoon (1954).

46. The Hit (1984).

45. Knightriders (1981).

44. The Night Of The Hunter (1955).

43. Of Unknown Origin (1983).

42. Pat Garrett & Billy The Kid (1973).

41. Prime Cut (1972).

40. Grosse Pointe Blank (1997).

39. Coffy (1973).

38. Trainspotting (1996).

37. In Bruges (2008).

36. Quick Change (1990).

35. Collateral (2004).

34. Out Of Sight (1998).

33. Halloween (1978).

32. Magnolia (1999).

31. Raising Arizona (1987).

30. Escape From New York (1981).

29. Shogun Assassin (1980).

28. Goodfellas (1990).

27. Purple Rain (1984).

26. True Grit (2010).

25. The Unholy Three (1925).

24. My Darling Clementine (1946).

23. The Insider (1999).

22. Alligator (1980).

21. Animal House (1978).

20. High Plains Drifter (1973).

19. Freaks (1932).

18. Beverly Hills Cop (1984).

17. An American Werewolf In London (1981).

 

16. Predator (1987).

 

15. Jaws (1975).

14. Shaft (1971).

13. Evil Dead 2 (1987).

 

12. The Wild Bunch (1969).

11. Manhunter (1986).

10. Mother, Jugs & Speed (1976).

9. Heat (1995).

8. King Kong (1933).

7. John Carpenter’s The Thing (1982).

6. Big Trouble In Little China (1986).

5. Unforgiven (1992).

4. Dawn Of The Dead (1978).

3. Ghostbusters (1984).

2. Once Upon A Time In The West (1968).

 

1. The Good The Bad & The Ugly (1966).

@jonnyabomb

Originally posted on 6-15-2009, this is a column I hope to resurrect one day soon.

 
 
 

By the time The Wrestler was released last year, my Netflix queue became scattered with random Mickey Rourke films of yesteryear.  I’ve always liked Mickey Rourke, and his filmography is a pretty damn interesting place to wander around.  The early, critically acclaimed pretty-boy stage is not short on underrated films with great Rourke performances (The Pope Of Greenwich Village, etc.), and between you and me, the trainwreck years were frequently insanely entertaining as well (Double Team, Bullet*, etc.)  Then you get into Sin City, where Rourke made a huge impression, and Domino, where he was the best thing about a tough movie, which leads us to The Wrestler and the full-on critical redemption.

 

Before The Wrestler though, Rourke starred in a movie that surely at one point had critical raves in mind – a film adaptation of a 1989 novel by the legendary crime master Elmore Leonard, directed by John Madden, the man who bested (or robbed, depending on who you ask) Saving Private Ryan at the 1998 Oscars for Best Picture with Shakespeare In Love.

 

Killshot is the story of a career criminal (Rourke) looking to make one last score, aided by an unruly young apprentice (Joseph Gordon-Levitt), but through an unfortunate wrong-place/wrong-time scenario, he becomes fixated on killing a couple who are in the process of separation (Diane Lane & Thomas Jane.)  Killshot was shot and intended for release in 2006, but didn’t make it to daylight until this year, when it stealthily snuck onto the DVD shelves. Silent but deadly. What happened?

 

Killshot opens with a terrific song by the band Low and crystal cinematography by veteran DP Caleb Deschanel (yes, Zooey’s dad), both of which indicate more energy than the rest of the movie ultimately brings.  That’s really the problem – Killshot is just dour.  It’s the kind of movie that makes you appreciate what other movies do right, in this case the fellow Elmore Leonard adaptations Out Of Sight and Jackie Brown.  What Steven Soderbergh and Quentin Tarantino, respectively, brought to the table was an attention to character and a firmer grasp of tone than Killshot director John Madden ultimately achieves.  Killshot is hardly unwatchable, but it doesn’t have the spark that we look for when Elmore Leonard’s name is involved.

 

Killshot might get the stone-faced killer angle down, but maybe that’s also what sinks it.  The movie carries very little of Elmore Leonard’s sly sense of humor, and that filters down to the usually-great cast.  Mickey Rourke can do badass in his sleep; he’s good enough here that you wish he’d have a similar role in a more light-hearted movie.  He does, however, have to labor under the burden of playing both Native-American and Canadian, an acting demand which no one can probably do in their sleep.  Gordon-Levitt is a good actor, but he plays his part at such heightened energy that it doesn’t fit the rest of the movie – he comes off as more annoying than not, which makes his character’s fate not a question of IF but of WHEN, if you catch my drift.  Lane and Jane are solid actors who have been given very little to work with here:  Scared and angry, respectively.  Pretty thankless.  (Although “Lane & Jane: Scared & Angry” is a good tagline for the poster.)  Rosario Dawson, as a prison guard with a Graceland obsession, is the only actor in the cast who seems to be fully aware that she’s in an Elmore Leonard adaptation.  I like Rosario a lot – no matter what quality the movie she’s appearing in, she’s always canny enough to strike the right tone.  Unfortunately, she only gets about two scenes in Killshot.

 

I don’t really understand why Killshot was doomed to such an invisible release – I see worse movies released nationwide every other week.  It may be a somewhat disappointing viewing experience, because you can see how all of the elements could have added up to a much snappier movie, but still, it’s very far from awful.  It’s surely worth watching if you’re enough of a Mickey Rourke fan, and for one other reason at least:  This movie gives you the vision of Diane Lane reaching for a shotgun, wearing a white tank top and panties on a cold night, and that’s really all you need to know to decide whether it’s worth risking your time on.

 

 

 

 

Got thoughts?  Share ‘em:  @jonnyabomb

 

 

 

 

 

 

#7.  Kiss Kiss Bang Bang (2005)

This is the last of the great Los Angeles movies on my list, from a guy who knows a fair amount about Los Angeles.  Shane Black had a hand in the writing of many of the action films of my youth – Predator, Lethal Weapon, The Monster Squad, The Last Boy Scout, and Last Action Hero.  Then he went away for a while.  When he came back, he brought Robert Downey Jr., Val Kilmer, and this movie, some kind of weird blend of action movie, detective flick, and romantic comedy.

Downey plays a petty New York thief who hides out in Los Angeles, in a strange turn of events receiving a mentor in the form of Kilmer’s private investigator.  Together they get wrapped up in a comically complicated murder investigation/ missing-person case, and Downey’s character provides a sarcastic meta-voiceover throughout.  The cinematography by Michael Barrett is colorful and lively, and the playful score by John Ottman merits mention also.  This movie was obviously a labor of love.

Forget High Fidelity or Gladiator or Anchorman or BoratKiss Kiss Bang Bang is the stealth choice for most quotable movie of the decade, it’s easily the most gay-friendly action film ever made (Kilmer’s character is openly, belligerently gay), and it’s even somewhat affecting emotionally.  There was something sad about two fallen movie stars teaming up in a fantastic movie that so few people saw in theaters.

With Robert Downey Jr., the story would seem to have a happy ending, since a few years later he played Iron Man and became one of the most famous stars on the planet, although Val Kilmer seems to be continuing his voyage into the wilderness.  He still pops up all over the place, but it doesn’t look like he’s about to get his second chance at wearing superhero tights.  But for a moment there, their paths crossed, and it was a wonderful match-up.  Their banter is traffic-camera quick, knowing, and hilarious.

Extra credit for Michelle Monaghan (most recently seen in Source Code) in the most lovable female role of the decade, by far, as a failed actress who becomes a third partner to the two main dicks. She’s elusive, sarcastic, flighty, gutsy, and totally crush-worthy.  If only more screenwriters would write female roles as interesting as this one, then the critics would stop going on and on about how today’s movies are crap compared to the films of the 1930s.

If you haven’t seen this movie yet, go fix that.  It’s a Christmas movie, but you can watch it anytime, really.  I do expect royalties from Shane Black though – I have been promoting this movie tirelessly since 2005, and besides, I guarantee he overheard me and my buddies playing the that-guy-looks-almost-exactly-like-that-famous-person “Native American Joe Pesci” game one night in a bar and threw that in the movie as a bonding experience between two characters.  It’s fun, and it’s brilliant!

Full disclosure time.  I think a person’s home movie collection says plenty about their interests as a moviegoer.  Since I talk about movies all the time, I imagine this would be relevant evidence.  Here’s what is on my shelf at home so far…

    BattleRoyale   BeingJohnMalkovich         childrenofmen Citadel        Django djangokill DjangoUnchained doomsday Do The Right Thing Dr. Strangelove   Edwood             grandduelkeoma       TheImaginariumOfDoctorParnassus     Jackie Brown  KillerJoe      TheMaster Miami Connection (1987)                 raidredemption  reanimator       smashed  Smokin' Aces   ThereWillBeBlood TheyLive    universalsoldier       zodiac

Feel free to judge!

Find me on Twitter: @jonnyabomb

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This little review appeared in different form, elsewhere on the internet, quite a while back.

 

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I saw The King Of Kong: A Fistful Of Quarters when it was doing a one-week run at the Nuart, and I laughed my ass off.

 

Literally.

 

I mean, there was only a little bit of ass left back there.  It’s since grown back (with a vengeance), but the fact remains that this is a very, very funny movie.

Long story short:   Just as historic underdogs like Rocky Balboa and Daniel LaRusso had done before him, suburban schoolteacher Steve Wiebe takes on the world when he goes after the recognized champion.  But instead of boxing or karate, Steve’s chosen sport is… competitive Donkey Kong.  Apparently, the world of competitive classic arcade video gaming is very real, and very much still an ongoing realm of controversy, aggression, and spite.  Sure, Steve is a little bit nutty, but by the standards of humanity introduced by this movie, he’s shockingly normal, the kind of generous and likeable all-American everyman you probably know and root for in your own life.

 

Meanwhile, the Donkey Kong world champion is a guy named Billy Mitchell, and he is an absolute douchebag.  I could sit here (on my drastically-reduced-and-since-regrown ass) and at length explain why, but instead I will show you Billy’s picture, which is what you would find in a dictionary if you looked up the word “douchebag.”

 

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Billy seems like the kind of guy who pays for weekend seminars with Frank T.J. Mackey.

I feel like Kevin Bacon would play him in the live-action remake.
But anyway, back to Billy.
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Note the too-tight black jeans, the maroon blouse, the garish tie, the feathered mullet, and the judgemental “you’re an asshole” expression he constantly wears.

 

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See, Gloria knows what I’m talking about.

 

Life isn’t as simple as movies, and it’s probably true that Billy Mitchell is nowhere near as nastily geeky as he comes off in this movie.  It’s true that even a documentary filmmaker can have a heavy bias, and by the very nature of introducing a camera to reality you are never entirely capturing reality anymore.

 

But the fact remains that Billy Mitchell couldn’t come off much worse in The King Of Kong, and pitting him against the underdog Steve Wiebe is very much the archetypal high school movie come to life: popular kid versus new guy in town, although ironically Steve is the jock and Billy is the nerd.  But Billy is also relatively wealthy, with his own hot sauce business, an obedient wife with comically huge breast implants, and the devotion of a small army of King Kong acolytes who hang on Billy’s every sneer.  It is so amazing to watch Billy be such an unrepentant dick, and to watch how all the beta-nerds flock around this mulleted alpha-nerd.  Do these guys have mirrors?

I am forever fascinated by people who have absolutely no self-awareness or self-doubt.  There’s a certain purity to people who have no idea how ridiculous they look or sound, and it’d even be a respectable quality if this kind of insistence on self above all else doesn’t so often lead to wrongness.  You have to be able to laugh at yourselves, folks. No one is right all the time; not even your humble narrator. Well, I swing a more righteous bat than most, but I’ll still cop to being wrong several times a day.  You have to.  Or you don’t, but then you run the risk of being a guy like Billy Mitchell, which means that someone might someday make an unflattering documentary about you.

Also, Billy Mitchell talks about himself in the third person, which is very amazing.

Since The King Of Kong first came out, it has justly grown in reknown as one of the more entertaining documentaries of recent years.  It’s led to a lucrative TV and feature directing career for its director, Seth Gordon, who still periodically suggests that a Hollywood remake is forthcoming.  I think the documentary is great enough on its own, but if they make it, I recommend Kevin Bacon as Billy Mitchell, Jimmy Fallon as Steve Wiebe, and Robert Duvall as Walter Day.

 

This movie is worth searching out.  Trust me.  By the time those credits roll, it’s as satisfying a movie experience as you could hope to see.  I feel like standing up and cheering every time I watch this thing, and I don’t even give a shit about video games.  The best part about it, if the story captures your interest, is knowing that the debate over Donkey Kong world champion still rages on to this day.  Steve and Billy and tons of nerds like them all over the world continue to fight for the all-time high score on Donkey Kong, and every once in a while you will hear brief news stories about who has overtaken who.  Isn’t that somehow reassuring?  The story never entirely ends, and there are still battles to be fought and won.   And so it goes, good versus evil, on and on as we march towards Valhalla.

Talk to me on Twitter: @jonnyabomb

 

   

 

Kung Fu Panda 2 contains at least one landmark:  It’s the first time I’ve ever seen acupuncture performed in a kids movie.  It doesn’t last long, but it’s specific and eccentric enough to be noteworthy.

More importantly, this is a good sequel.  It expands on a few of the story threads established in the first movie, rather than contentedly repeating what we’ve already seen (a trap which –blasphemy—even the Toy Story movies occasionally fall into).  I’m not sure I love the scene late in the movie that plays as subtle as a Mike Tyson dance routine, the plot for the inevitable second sequel tattooed boldly on the side of its face, but everything else about Kung Fu Panda 2 was generally understated and solid, an effective companion piece to its predecessor.

Whereas the first Kung Fu Panda charted the unlikely rise of Po the panda (voiced by Jack Black) from dumpling cook and village punchline to kung fu champion and village hero, this one concerns itself with the reasons why the humongous Po has a father who is much, much smaller, and a bird. That means a slightly expanded role for the eternally under-used James Hong, so it’s good news around my house.

However, it’s true that Po’s quest for his anthropological origins means reduced screen time for Po’s teammates, Dustin Hoffman’s Master Shifu and every member of The Furious Five who isn’t voiced by Angelina Jolie.  All of these characters were a major part of the first Kung Fu Panda, but Hoffman in particular is hardly even in the movie this time around. Only Tigress (Angelina’s character) shares Po’s existential angst, so she’s the one who gets the front-and-center co-starring role. But as I theorized earlier, Kung Fu Panda 3 is already a foregone conclusion, so weep not for any of these characters.

Another fair criticism is that Gary Oldman, as the evil albino Lord Shen, is second only to Christopher Walken as the actor most frequently cast in a villainous role, but to me it worked because his character is a peacock. There’s an excellent disconnect in the effect of a pretty pretty peacock speaking in the angry, threatening tones of Gary Oldman’s best bad-guy voice, and the animation is particularly virtuosic and colorful in all of these scenes.

And that animation simply must be mentioned and underlined: The Kung Fu Panda movies conjure up a loving focus on period detail and a phenomenal coupling of color and motion. I also deeply appreciated how director Jennifer Yuh decided to “shoot” all the flashback sequences in a more stylized, less “realistic,” old-fashioned 2-D animation style that is reminiscent of medieval Chinese art styles.  As a major enthusiast of hand-drawn animation, this was rewarding.  As a turn-my-brain-off moviegoer, I still found it inspired.

The brilliant animation carries Kung Fu Panda 2 through. This series, despite its obvious strengths at well-choreographed fat jokes and fizzy kung fu action, has a slight tendency to sag under the weight of sentiment, but its pace and style and energy manage to keep things moving before any one moment gets too soggy.

And really, it’s impossible not to warm to a movie that loves its welcome habit of casting live-action martial arts stars as cuddly cartoon animals. While Jackie Chan (Monkey) and Jean-Claude Van Damme (Crocodile) will never be classified as the most verbally dextrous voice actors, Michelle Yeoh gives a truly warm and captivating voice performance, which is even more fun once you see what animal character she plays.

Please be advised: Some of the later action scenes in Kung Fu Panda 2 are surprisingly intense and even a little scary.  My niece, who is nearly four, turned to me during one such scene and whispered “Why did you TAKE me to this movie?”  I couldn’t resist the truth: “Because you’ve been asking me to for almost a year”, but then of course I had no problem with her clambering into my arms.  Older kids should have no such hesitations though. This one isn’t as funny as the first, and both fall short of feeling quite like classics, but still, this is a very easy movie to love.