Archive for the ‘Movies (O)’ Category

The Outlaw Josey Wales (1976)

“Now remember, when things look bad and it looks like you’re not gonna make it, then you gotta get mean. I mean plumb, mad-dog mean. ‘Cause if you lose your head and you give up then you neither live nor win. That’s just the way it is.”

— Clint Eastwood, as The Outlaw Josey Wales in THE OUTLAW JOSEY WALES:

Clint Eastwood’s career is so long-running and so varied in subject matter that the mainstream reactions to his work have really run the range.  He was nobody, then he was a sudden success, then he was underrated, then he was accused of shallowness and sadism, then he was ignored, then he was discovered as a great director, then there was a backlash or seven, then he was called overrated by some, then the waves of rediscovery surged and ebbed and flowed, and so on.  By any measure there are plenty of bright spots on that lengthy resume, many under-seen and under-appreciated films, and some stone-cold masterpieces.  As actor and collaborator he has THE GOOD, THE BAD, AND THE UGLY and DIRTY HARRY, and as director, he has UNFORGIVEN, BIRD, LETTERS FROM IWO JIMA, and this one right here.

 

 

THE OUTLAW JOSEY WALES is about a farmer who joins the then-raging Civil War when his family is massacred by marauders.  When the war ends, he becomes an outlaw rather than surrender his guns.  In the course of his travels, he meets a variety of companions and, as their protector, forms a kind of frontier community that due to his outlaw status he may or may not be able to join for good.

Time Out New York has referred  to THE OUTLAW JOSEY WALES as “messy” and “rather ponderous” and I truly hope that you take my word for it over theirs.  THE OUTLAW JOSEY WALES takes everything that Clint ever learned from Sergio Leone and Don Siegel, and everything he learned from cinema in general and Westerns in particular, and pours it all into this one glorious epic.  The film is stuffed with savvy references to the history of American Western cinema, from the dizzying callback to the “Ecstasy Of Gold” sequence from THE GOOD, THE BAD, AND THE UGLY when Josey’s home is attacked, to a pointed reference to the white scorpion from THE WILD BUNCH, to about a hundred visual cues and thematic echoes of the work of John Ford, particularly in the complicated, layered depiction of Native American characters, which is virtually unique to THE OUTLAW JOSEY WALES.


  

 

 

One part revenge picture, one part Lone Ranger & Tonto picaresque (a travelling odyssey with the greatest Indian sidekick ever in movies, Chief Dan George), one part political allegory, and one part mournful hymn, THE OUTLAW JOSEY WALES is clearly Clint’s warm-up lap before UNFORGIVEN.  It’s a meditation on violence and the effects of a life of violence on its perpetrators.  Interestingly, it factors in the Native American experience in an unusual way, as something of a peripheral but running concern.  Josey’s most consistent companion in a film where he has several of them — something of an irony in both the one-man-army Eastwood career and in a film where he’s billed as an outlaw — is Lone Watie, a very elderly man of measured speech whose easygoing, pointed humor and relaxing manner are a fascinating contrast to the typical clenched-teeth Eastwood gunslinger performance.  The most charismatic, funniest role in the entire movie is carried out by a then-77-year-old man.

 

 

Chief Dan George

 

Consider also the taciturn young Navajo woman, Little Moonlight, who gets wrapped up into the defacto community that Josey Wales and Lone Watie pick up along the way in their travels.  Her very existence in the film has an accumulated history to it — she is visually reminiscent of the Comanche squaw in THE SEARCHERS, but while that character was treated with less respect, literally booted down a hill by Jeffrey Hunter and laughed at by John Wayne, there is a redemptive quality to how Little Moonlight is portrayed here.  She gets to carry a gun!  I’ve seen a ton of Westerns and I’m pretty sure I never before or since saw an Indian squaw get a chance to fight alongside the heroes.

 

 

There’s also the warrior chief Ten Bears, a character who isn’t in much more than one scene but is played indelibly by the 1970s’ go-to Native American character actor, Will Sampson.   An artist in life, Sampson was often framed as a looming, possibly dangerous figure on film.  He was the deaf-mute Chief in the anti-establishment classic ONE FLEW OVER THE CUCKOO’S NEST and the observant man-who-knows-whales Jacob in the wackadoo killer-whale epic ORCA.  While even those roles bordered on stereotyping, THE OUTLAW JOSEY WALES inverts the image by portraying Ten Bears as a fearsome warrior chief, but then immediately equating him with the film’s hero.  There is an instant recognition of equals that passes between Ten Bears and Josey Wales.  It’s not unforeseeable that, had he lived, Will Sampson could have gone on to his own UNFORGIVEN, playing a similar violent-but-self-aware character in advancing age.  Clint would direct, of course.

 

 

The brilliance of THE OUTLAW JOSEY WALES is that it works on so many different levels at once — it can and has been watched as a Clint’s-so-badass manly-man classic action film, from the epic gunfights right down to the quotability — but there’s an incredible depth and poetry to its engagement with American history and American film.  It’s simultaneously traditional and revisionist.  No action star before or since has ever been as knowing and sly about his onscreen persona as Clint has been, and none have deployed it so cannily.  If all you see when you look at Clint is “Dirty Harry” or “The Man With No Name,” well, he gives that to you here, but even as he’s delivering it sincerely, he’s also serving it up as a rejoinder.  For one thing, this is a good movie to watch for any of those skeptics who assume Clint’s acting is limited.  Here he fills in the image of his standard vengeful-gunslinger character with pools of complicated emotion.  Josey Wales can be nasty, not only to his enemies but to many who deserve compassion.  I mean, in this movie he spits on a dog!  Josey Wales is often a dick.  He’s maladjusted but that makes sense:  He’s a veteran.  He’s seen heinous things, and done them too.  He’s good at killing, less so at living.

 

 

 

There’s a lot more to be said about this movie, from the sweeping landscapes by cinematographer Bruce Surtees (PLAY MISTY FOR ME, THE GREAT NORTHFIELD MINNESOTA RAID) to the score by composer Jerry Fielding (THE WILD BUNCH, THE GAUNTLET), but there’s only so much time and space.  Let’s end with a special hand for the bad guys:  John Vernon, who plays Clint’s ally-turned-nemesis Fletcher, has between this, his roles in POINT BLANK and CHARLEY VARRICK, and Dean Wormer in ANIMAL HOUSE, played at least four of the greatest heavies in film history.  (Five, if you count KILLER KLOWNS FROM OUTER SPACE.)  He could do ominous erudition with ease, but here there’s a melancholy and a weariness to his relentless pursuit of his quarry in THE OUTLAW JOSEY WALES that really stays with you, as much as Clint’s iconic warrior-gunman does.   Eastwood regular Bill McKinney, probably best known for his part in DELIVERANCE, is menacing and monstrous here as the more straight-ahead villain, Captain “Redlegs” Terrill.  A hero is only as tough as his toughest enemies.  It’s not easy to play the equal but opposing force in a Clint Eastwood action film, but both of these gentlemen do a phenomenal job.  Respect.  Thank you.

 

@jonnyabomb

 

DAILY GRINDHOUSE BANNER

Daily Grindhouse would be pretty much my favorite website even if I weren’t writing for them, but since I am, here’s a collection of all my work so far.  It’s some of my very best stuff. Enjoy!

25TH HOUR (2002) 48 HRS. (1982) 52 PICK-UP (1986) 88  THE ACT OF KILLING (2013) ACT OF VIOLENCE (1948) Alex Cross (2012) ALIEN (1979) ALIEN ZONE (1978) ALPHABET CITY (1984) american sniper  AN AMERICAN WEREWOLF IN LONDON (1981) ANACONDA (1997) ANTS (1977) The Apple (1980) ARMY OF DARKNESS (1992) ARTISTS & MODELS (1955) Assault on Precinct 13 (1976) BADLANDS (1973) BAIT (2012) A Band Called Death (2013) BASKET CASE (1982)  BATMAN (1989) BATTLE ROYALE (2000) The Baytown Outlaws (2013). Beetlejuice (1988) BERBERIAN SOUND STUDIO (2013) BEST WORST MOVIE (2009)The Big Lebowski (1998) Big Trouble In Little China (1986) BLACK CHRISTMAS (1974) BLACK DEATH (2011) THE BLOB (1988) BRIDE OF FRANKENSTEIN (1935) The Brides Of Dracula (1960) brothers-2009 BUNNY LAKE IS MISSING (1965) untitled CARRIE (1976) CB4 THE MOVIE (1993) CEMETERY MAN (1994) Charley Varrick (1973) CHEAP THRILLS (2013) CHOPPING MALL (1986) class-of-1984-poster The Colony (2013) COMPLIANCE (2012) CON AIR (1997) Conquest (1983) THE CONTRACTOR (2013) Creature (2011) CREATURE FROM THE BLACK LAGOON (1954) CRIME WAVE (1954) THE CROW (1994) DARKMAN (1990) DEAD & BURIED (1981) DEADLY FRIEND (1986) deranged-1974-movie-review-jpeg-35312 THE DESCENT (2005) THE DEVIL’S EXPRESS (1976) dillinger-1973 DIRTY HARRY (1971) Django (1966) Django Unchained (2012).  DOG SOLDIERSDOUBLE INDEMNITY (1944) DRACULA (1931) Dredd (2012) DRIVE (2011) Drive Angry (2011) End of Watch (2012) EQUINOX (1970) Escape From New York (1981) Evil Dead (2013) THE EXORCIST (1973) Eyes Without A Face (1960) FACE-OFF (1997) Fast Five A tumblr_n2u9s565B11rscnczo1_500 Fist Of Legend (1994) FRANKENSTEIN (1931) GANJA & HESS (1973) the-gauntlet-1977 Get Carter (1971) ghostbusters GHOSTBUSTERS 2 (1989) ghosthouse 1988 GI Joe Retaliation (2013) THE GIRL WITH THE DRAGON TATTOO (2011) GOD TOLD ME TO (1976) GONE GIRL (2014) THE GOOD, THE BAD, AND THE UGLY (1966) The Great Silence (1968) Gremlins 2 - The New Batch (1990) The Grey (2012) Halloween (1978) Hannie Caulder (1971) Hardbodies (1984) Hardware (1990).. Henry (1990) High Crime (1973)  THE HILLS RUN RED (1966) . IMG_8699 THE HIT (1984)Hit Man (1972) hobo with a shotgun HOMEFRONT (2013) The Horror Of Dracula (1958) the host - no words HOUSE (HAUSU) (1977) The Iceman (2013) The Imaginarium Of Doctor Parnassus (2009) IN A LONELY PLACE (1950) THE INNOCENTS (1961) THE INSIDER (1999) The Invisible Man (1933) Iron-Man-3-2013 I SAW THE DEVIL (2010) Island-of-Lost-Souls-19331 Jackie Brown (1997) jaws jennifers body  JUAN OF THE DEAD (2011) The Keep (1983) KILLER JOE (2011) The Killers (1966) Killing Them Softly (2012) The-King-of-Comedy-1983 LADY IN CEMENT (1968) LADY TERMINATOR (1989) THE LAST CIRCUS (2010) BERRY GORDY’S THE LAST DRAGON (1985) Lawless (2012) LAWRENCE OF ARABIA (1962) the-leopard-man-movie-poster-1943-1020199765 Leprechaun (1993) A LIFE LESS ORDINARY (1997) LINK (1986) Liz & Dick (TV, 2012) Lockout (2012) The Lords of Salem (2013) Lost Highway THE MAGIC BLADE (1976) MAN OF STEEL (2013) THE MAN WHO KNEW TOO LITTLE (1997) The Man with the Iron Fists (2012) Maniac Cop (1988) THE MANITOU (1978) MASTER OF THE FLYING GUILLOTINE (1976) men-in-war-1957 MIGHTY PEKING MAN (1977) MILANO CALIBRO 9 (1972) MULHOLLAND DR. (2001) MY BLOODY VALENTINE 3-D (2009) My_Darling_Clementine_1946 NakedSpur-1953-MGM-one navajo-joe-1966 NEAR DARK (1987) NEON MANIACS (1986) night of the comet NIGHT OF THE CREEPS (1986) THE NIGHT OF THE HUNTER (1955) Night of the Living Dead (1968) NOSFERATU (1922) NOTORIOUS (2009) OF UNKNOWN ORIGIN (1983) ONLY GOD FORGIVES (2013) OUT OF THE PAST (1947) PACIFIC RIM (2013) pet-sematary-1989 Phenomena (1985) POOTIE TANG (2001) POSSESSION (1981) PREDATOR (1987) Premium Rush (2012) PRIVATE SCHOOL (1983) PULP FICTION (1994) Pursued (1947) q-the-winged-serpent-movie-poster-1983-1020195479 quick-change-poster BERANDAL (2014) RAVENOUS (1999) RAW FORCE (1982) Raw Meat (1972) RE-ANIMATOR (1985) Rear Window (1954) RED RIVER (1948) RED ROCK WEST (1992) Relentless (1989) RIDDICK (2013) tumblr_njo3upN5tn1sy67obo1_540 the road  ROBOCOP (1987) ROBOCOP (2014) SCANNERS  Scott Pilgrim vs. the World (2010) SCROOGED (1988) Shaft (1971) Sheba, Baby (1975) SHOCK WAVES (1977) shogun_assassin SORCERER (1977) source-code Spring Breakers (2013) SQUIRM (1976) STARSHIP-TROOPERS-1997 story of ricky  STREET TRASH (1987) Streets-Of-Fire-1984 THE STUNT MAN (1980) SUDDEN IMPACT (1983) Super (2011) SUSPIRIA (1977) switchblade_sisters_poster_02 (1) TAXI DRIVER (1976) The Texas Chainsaw Massacre (1974) Texas Chainsaw 3D (2013) THE THING (1982) THIS IS THE END (2013) thriller TORQUE (2004) touch of evil The Town That Dreaded Sundown (1976) TREMORS (1990) TRICK ‘R TREAT (2007) THE TWILIGHT PEOPLE (1972) THE UNKNOWN (1927) Under The Dome VAMPIRE’S KISS (1988) VERTIGO-1958-649x1024 Vigilante (1983) vigilante force THE VISITOR (1979) WHICH WAY IS UP (1977) WHITE HUNTER  WHY DON’T YOU PLAY IN HELL THE WICKER MAN (1973) winters-bone WITCHBOARD (1986) worlds-greatest-dad-2009 ZODIAC (2007) ZOMBI 2 (1979) ZOMBIELAND (2009)

Make Daily Grindhouse your daily destination for genre movie news, reviews, and interviews — there’s a ton of truly great content over there, beyond just the parts with my name on ’em.

And follow me on Twitter for updates!: @jonnyabomb

This collection has been much-requested and a long time coming.  To get at the reviews, just click on the movie poster of your choice.  And be sure to bookmark this page, because it’s bound to get updated frequently!

         Age Of The Dragons (2011) Alex Cross (2012)          Assault On Precinct 13 (1976)      A Band Called Death (2013)  The Bay (2012) The Baytown Outlaws (2013).        Big Fan (2009) The Big Gundown (1966)    Black Death (2010)          The Brides Of Dracula (1960) Bring it On (2000) Brothers (2009)               Cloud Atlas (2012)   Conan The Barbarian (1982) Conquest (1983)    CREEP (2004)  

The Dark Knight (2008) The Dark Knight Rises (2012)       Days of Thunder (1990)         Django Unchained (2012)           EQUINOX (1970) Escape from New York (1981) Evil Dead (2013)         Fist Of Legend (1994) Flight (2012)       The Gauntlet (1977) Get Carter (1971)    gi_joe_retaliation_ver30 THE GIRL WITH THE DRAGON TATTOO (US, 2011).          The Grey (2012) Halloween (1978)       Hardbodies (1984) Hardware (1990)   The Haunted World of El Superbeasto (2009)    Hit Man (1972)          The Iceman (2013)     THE INGLORIOUS BASTARDS (1978).   THE INSIDER (1999)  The Invisible Man (1933)  Iron Man 3 (2013) Island Of Lost Souls (1933)      The Keep (1983)   Killer Joe (2012) The Killers (1966) Killing Them Softly (2012)          LadyTerminator                Lincoln (2012)   The Lords of Salem (2013)      The Man Who Shot Liberty Valance (1962) Manborg Maniac Cop (1988)  THE MANITOU (1978)  MEN IN WAR (1957)      MULHOLLAND DR. (2001)     NEAR DARK (1987)      Night of the Living Dead (1968)          Peeples (2013) A Perfect World (1993)      PLAY MISTY FOR ME (1971)        THE PROFESSIONALS (1966)      The Raid (2012)       Red Tails (2012) Relentless (1989)    SALT (2010) Bill Hicks Sane Man (1989)   SCROOGED (1988)  Severance (2006) Shaft (1971)       Southern Comfort (1981)    Spring Breakers (2013)  THE SQUID &THE WHALE (2005)  State of Play (2009)              Teddy Bear (2012) The Texas Chainsaw Massacre (1974) Texas Chainsaw 3D (2013)    This Is The End (2013)   The Tourist (2010)  THE TOWN THAT DREADED SUNDOWN (1976)    TREMORS (1990)  Triangle (2009)       Tyson (2008)       Vigilante (1983)       WATERMELON MAN (1970)          X-Men Origins: Wolverine (2009) Your Highness (2011) ZODIAC (2007)  

For constant news about updates, follow me on Twitter:  @jonnyabomb

Looking over the list of my top fifty favorite movies today, it seem like a good time to expand a little bit on my writings on Sergio Leone’s ONCE UPON A TIME IN THE WEST.  Some days it’s my second favorite movie of all time, after Leone’s own THE GOOD THE BAD & THE UGLY, and most critical writings on the movie call it Leone’s masterpiece.  Clint Eastwood played the lead in A FISTFUL OF DOLLARS, he shared top billing with Lee Van Cleef in FOR A FEW DOLLARS MORE, and they made it a trio in THE GOOD THE BAD & THE UGLY.  With ONCE UPON A TIME IN THE WEST, you have four main characters this time around, each time with their own personal musical cues courtesy of Leone’s most important collaborator, Ennio Morricone, and each one of the quartet  is among the most eternally memorable incarnations of the archetypes they are meant to represent:

The movie’s lonesome stranger, in a role originally offered to Clint Eastwood, is played by cinema’s other great stoneface, Charles Bronson.  His character is known only as Harmonica, and the reason why is a brilliant reveal which I wouldn’t dream of ruining.