Archive for the ‘Movies (U)’ Category

Lady In The Water (2006)

M. Night Shyamalan, the kinda-sorta auteurist filmmaker who rocketed to above-the-title fame with a couple movies only to struggle critically over the tail end of the past decade, has a new movie coming out this summer.  It’s called AFTER EARTH and it stars Will Smith, one of the last dependable movie stars, and his son Jaden.  The movie is a sci-fi epic about a father and son who return to Earth in the deep future, long after the planet has been abandoned by humanity.  I included AFTER EARTH on my list of 2013’s potentially strangest movies, which is totally a dick move on my part.  I mean, how much have I done with MY life to be sitting here taking cheap shots?  At least this guy is out there making movies, and making them with some of the world’s hugest stars.  In my heart, I’m really not a so-called hater.

Quite the contrary in this case, in fact.  I think there’s a particular angst for movie lovers when we start following a talented filmmaker who then makes a severe right turn down the off-roads of unfulfilled or squandered promise.  It happened to me with Kevin Smith, for example, a witty, bold, and perceptive writer who I always hoped would take an interest in learning what to do with a camera, but it turned out he’d rather pursue other interests besides visual storytelling.  By contrast, Shyamalan never had a problem being cinematic, but he certainly grew overly enamored of certain tics that precluded concise and coherent films.  I would have liked to remain a fan, but at a certain point I had to decide that I didn’t want to follow these guys up their own asses.

So here’s a chronicle of me falling in love with another man’s talent, and then rapidly falling out of it.  I wrote most of this piece back in 2008 but unfortunately my mind hasn’t much changed since then.

NOTE: This will not include anything Shyamalan did before THE SIXTH SENSE, because I haven’t seen any of that stuff. I’m most interested in the Shyamalan of self-created myth & legend, the Shyamalan we have come to know in the past decade, the one who – like a young Bruce Wayne in his study who looked up at a bat and gained an instant career direction – looked up at the RAIDERS OF THE LOST ARK poster in his office and asked himself why he wasn’t making those kind of movies. That is the filmography I will be talking about here.

I also won’t be talking about anything after THE HAPPENING, for reasons that may soon enough become apparent.

The Sixth Sense (1999)

THE SIXTH SENSE (1999) – This one came out of nowhere in the summer of 1999 and blew most people’s minds.  It was a ghost story with the emphasis on story.  The dramatic twist near the end actually deepens the experience, and it doesn’t hurt that it makes you want to re-watch the movie with the twist now in mind.  This is an extremely solid movie about faith and the after-life and how those intersect and overlap. Is it maybe even good enough to one day sit on a shelf alongside another one of the director’s inspirations, THE EXORCIST? That may be going a little far. But it does serve as an answer to the most vehement haters, the ones who, burned by his later films, have rechristened him F. Night Shyamalan:

Anybody wondering why they still allow this guy to make movies should re-watch THE SIXTH SENSE. It was a massive financial success achieved with an actually good movie. The people who make the decisions are no doubt optimistic that one day, this guy will do that again. (So am I, for the record.)

But the movie itself does indeed hold up to revisiting. To prospective screenwriters like myself, I also recommend reading it in script form, if you can track that down, because it’s still just as affecting on the page. This movie is so solid that it has a good performance by Donnie Wahlberg.  That’s directing, son.

The truth is that Shyamalan’s filmmaking talent is very real. Every movie he has made since THE SIXTH SENSE has contained varying degrees of that copious cinematic talent. Key word: “varying.” It’s why his filmography is so frustrating. He wouldn’t be so widely discussed if he wasn’t so capable.

UNBREAKABLE (2000)

UNBREAKABLE (2000) – I loved this one when it was first released. Saw it twice theatrically and a couple more times on DVD. So I hope that earns me enough leeway to suggest that it does not really hold up viscerally eight years later. It’s slow as a turtle attempting to moonwalk. Okay, hang on–

Here’s a rule: You can’t make a movie that’s more boring than real life. You just can’t. It’s why — to take a random and unrelated example — BROKEN FLOWERS was so disappointing to me. No matter how much Bill Murray you pour into a movie, you can’t slow a story down so much that you leave out the space for narrative.

Anyway, that’s why Shyamalan’s “deliberate” pacing falls so often flat. It also plays into the cardinal mistake Shyamalan likes to make of turning lighthearted subject matter — in this case superheroes — into a somber and ponderous suite of melancholy. It’s true that comic books themselves have been doing this for years, and now comic book movies are doing it too, so Shyamalan can’t be entirely faulted there.  In a way, he was ahead of the curve.

On an intellectual level, UNBREAKABLE still works. It’s an interesting approach to the standard superhero/supervillain origin story. I just don’t want to rewatch it ever again. Unless…

You know what would solve all its problems? If the once-rumored sequel were to actually happen. Because as it stands now, UNBREAKABLE feels like the longest first act ever.  I would definitely be curious as to what happens in the second UNBREAKABLE movie if it ever happened, especially since the second act is traditionally where the majority of the actual story takes place.  UNBREAKABLE doesn’t add up to much without its MR. GLASS STRIKES BACK.

Signs (2002)

SIGNS (2002) – Forget the fact that it’s kind of impossible to look at Mel Gibson anymore without off-the-screen baggage.  He’s fine in the movie, really.  It’s the movie itself that’s the problem.  This is where the storytelling problems infecting Shyamalan’s arsenal start to rear up violently. Shyamalan’s technical skill is still crazy-impressive – every scene where those aliens appear (or don’t) is freaky and great.

It’s the other stuff that just plain doesn’t add up in a coherent way — first and foremost that ending — and there’s been enough cyber-ink spilled on the subject for me to not bother to add to it. But the movie still made tons of money, and enough people still inexplicably say they like it, which is no doubt precisely how the first out-and-out blunder came to pass.

The Village (2004)

THE VILLAGE (2004) – Or as I call it affectionately: Cinematic blue-balls.

There’s nothing wrong with the original premise – colonial village is surrounded on all sides by a thick forest and maintaining an uneasy truce with the horrible monsters who live there – in fact that’s a great goddamn premise! And the way those red-cloaked spiny creatures are set up is chilling. Even knowing how things turned out, I still get chills thinking of their first couple appearances in the movie, and trust me, I don’t scare easy at movies. The first half of THE VILLAGE does the tough part and brings the fear.

So why completely subvert it for a corny twist ending? I’ll tell you how I figured out the twist after the first five minutes of the movie: “Okay, colonial village, bunch of musty old white people, how are they going to work in a role for the director, a modern-sounding East Indian guy, AHA! – it’s actually set in the present day!” And sure enough, there he was, and so it was. Sorry to ruin the movie, but you’d be a lot happier if you turned it off at the hour-mark anyway.

Lady in the Water (2006)

LADY IN THE WATER (2006) – Even worse, somehow.  Massive folly. Near-unbelievable, but I didn’t see it alone, so I know for a fact it really happened.

Reading Shyamalan print interviews is one of my guilty pleasures. I’m just fascinated by how someone so smart and talented can so often be so misguided. I may risk sounding like an asshole to say so, but I truly find it illuminating. For a while there, Shyamalan was fond of defending his work by questioning why so many people criticize him and not his movies. Seems to me that one way to avoid that is to take a break from casting yourself in your movies. Right? Kind of hard to separate the two when, in this case, you’re playing the pivotal role of the man who will write the book that will change the world, even though it will mean he will die a martyr. And you can’t be so naive as to think that notebook-toting, detail-oriented professional film critics won’t pick up on the fact that the only character to meet a gruesome death, in an entire movie about the act of storytelling itself, is the cranky film critic.

The same way that you can’t complain about the way that people are always trying to figure out the twist endings of your movies when you keep putting twist endings in your movies. Right?

I particularly liked how the title character spent very close to the entire running time curled up in the shower. That was exciting.

And Paul Giamatti had the speech impediment coming and going, and that Latino dude with the fucked-up arm… (Now I’m getting confused again.) The wolf made of grass was pretty cool though. (Was I high?)  Wikipedia tells me there was in fact a grass-wolf. It was called a “scrunt,” which really isn’t a great word to have in what was intended as a children’s movie.

The Happening (2008)

THE HAPPENING (2008) – Okay. Okay.

It’s starting to become apparent that the director may no longer be interested in suspenseful stories about the supernatural, and has in fact now evolved into the maker of really, really weird comedies.

If you go into THE HAPPENING in this spirit, you will not be disappointed. If you are looking for a creepy edge-of-the-seater, you surely will. Without giving anything important away (I want to leave the half-hearted yet still insane ultimate revelation to the bravest among you), here are some reasons why I enjoyed THE HAPPENING:

  • “Filbert.”  Let me explain: The main characters are fleeing Philadelphia on a railroad train, which inexplicably stops. Someone ducks their head away from the window, and the name of the town in which they are now stranded is revealed: Filbert. FILBERT! Duh-duh-duhhhhh! No, God, please, no, not…      Filbert! Filbert! Dooooom! I don’t even care whether or not I’m the only one who laughed at that, because it’s still funny to me. Fucking Filbert, man.
  • I was NOT, however, the only one who laughed when the construction workers started walking off the building. Everyone in my theater laughed at that.  It’s mostly because the plummeting crazies are played by dummies. And if we learned anything from The Three Stooges and Saturday Night Live, it’s that dummies are the greatest of all comedy props.
  • I don’t know who in all of Hollywood I would cast as a science teacher and a math teacher, respectively, but Mark Wahlberg and John Leguizamo are not they. Likable and down-to-earth actors both, but far better casting for, say, the cranky gym coach and the wisecracking AV teacher. They do their best, but the dialogue they are given does them no favors.
  • I swear a couple times Shyamalan cuts away from the action to a reaction shot of Zooey Deschanel and it looks like she’s trying to suppress a crack-up. Shyamalan may not have noticed, but I’m sure I did.
  • Intentional laughs are in the movie for sure, to the point where it’s almost confusing when it happens – stay tuned for the scene where Wahlberg tries to relate on a personal level to a plastic plant. Expertly written and played, and I’m not being sarcastic at all.
  • Far and away Shyamalan’s best and most hilarious cameo in all of his movies to date happens in THE HAPPENING. If you end up going, please stay for the credits to see what role he played. It’s just got to be a joke. But one of those jokes that only the one making it gets; you know that kind.
  • The Lion Scene! Oh man, the lion scene. The lion scene is a horror-comedy classic of which an EVIL DEAD 2-era Sam Raimi would be chainsaw-wieldingly envious. Soon to be a YouTube staple, guaranteed.

So if you’re looking for scary, this is not your territory. Watch the news instead. But if you’re a certain kind of moviegoer in a certain kind of mood, grab a couple like-minded buddies and Mystery-Science-Theater away.

Now, I skipped Shyamalan’s 2010 movie, THE LAST AIRBENDER, because I didn’t think my brain could handle all the fart jokes I was destined to make about that title.  By every last account (except probably Shyamalan’s), I made the correct decision.  But I’m curious about AFTER EARTH.  Did the nasty thrashing he got over his last couple flicks make Shyamalan reconsider some of his more over-used quirks?  Does the presence of Will Smith, one of the most infallible choosers of successful projects of the last decade-and-a-half, suggest that Shammy has reclaimed his earlier mojo?  The AFTER EARTH trailer does not look overtly comical.  It’s somewhat well paced, and more importantly, it has hordes of monkeys in it.  That’s not any guarantee I’ll be able to stay away.

@jonnyabomb

MANKEY

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DAILY GRINDHOUSE BANNER

Daily Grindhouse would be pretty much my favorite website even if I weren’t writing for them, but since I am, here’s a collection of all my work so far.  It’s some of my very best stuff. Enjoy!

25TH HOUR (2002) 48 HRS. (1982) 52 PICK-UP (1986) 88  THE ACT OF KILLING (2013) ACT OF VIOLENCE (1948) Alex Cross (2012) ALIEN (1979) ALIEN ZONE (1978) ALPHABET CITY (1984) american sniper  AN AMERICAN WEREWOLF IN LONDON (1981) ANACONDA (1997) ANTS (1977) The Apple (1980) ARMY OF DARKNESS (1992) ARTISTS & MODELS (1955) Assault on Precinct 13 (1976) BADLANDS (1973) BAIT (2012) A Band Called Death (2013) BASKET CASE (1982)  BATMAN (1989) BATTLE ROYALE (2000) The Baytown Outlaws (2013). Beetlejuice (1988) BERBERIAN SOUND STUDIO (2013) BEST WORST MOVIE (2009)The Big Lebowski (1998) Big Trouble In Little China (1986) BLACK CHRISTMAS (1974) BLACK DEATH (2011) THE BLOB (1988) BRIDE OF FRANKENSTEIN (1935) The Brides Of Dracula (1960) brothers-2009 BUNNY LAKE IS MISSING (1965) untitled CARRIE (1976) CB4 THE MOVIE (1993) CEMETERY MAN (1994) Charley Varrick (1973) CHEAP THRILLS (2013) CHOPPING MALL (1986) class-of-1984-poster The Colony (2013) COMPLIANCE (2012) CON AIR (1997) Conquest (1983) THE CONTRACTOR (2013) Creature (2011) CREATURE FROM THE BLACK LAGOON (1954) CRIME WAVE (1954) THE CROW (1994) DARKMAN (1990) DEAD & BURIED (1981) DEADLY FRIEND (1986) deranged-1974-movie-review-jpeg-35312 THE DESCENT (2005) THE DEVIL’S EXPRESS (1976) dillinger-1973 DIRTY HARRY (1971) Django (1966) Django Unchained (2012).  DOG SOLDIERSDOUBLE INDEMNITY (1944) DRACULA (1931) Dredd (2012) DRIVE (2011) Drive Angry (2011) End of Watch (2012) EQUINOX (1970) Escape From New York (1981) Evil Dead (2013) THE EXORCIST (1973) Eyes Without A Face (1960) FACE-OFF (1997) Fast Five A tumblr_n2u9s565B11rscnczo1_500 Fist Of Legend (1994) FRANKENSTEIN (1931) GANJA & HESS (1973) the-gauntlet-1977 Get Carter (1971) ghostbusters GHOSTBUSTERS 2 (1989) ghosthouse 1988 GI Joe Retaliation (2013) THE GIRL WITH THE DRAGON TATTOO (2011) GOD TOLD ME TO (1976) GONE GIRL (2014) THE GOOD, THE BAD, AND THE UGLY (1966) The Great Silence (1968) Gremlins 2 - The New Batch (1990) The Grey (2012) Halloween (1978) Hannie Caulder (1971) Hardbodies (1984) Hardware (1990).. Henry (1990) High Crime (1973)  THE HILLS RUN RED (1966) . IMG_8699 THE HIT (1984)Hit Man (1972) hobo with a shotgun HOMEFRONT (2013) The Horror Of Dracula (1958) the host - no words HOUSE (HAUSU) (1977) The Iceman (2013) The Imaginarium Of Doctor Parnassus (2009) IN A LONELY PLACE (1950) THE INNOCENTS (1961) THE INSIDER (1999) The Invisible Man (1933) Iron-Man-3-2013 I SAW THE DEVIL (2010) Island-of-Lost-Souls-19331 Jackie Brown (1997) jaws jennifers body  JUAN OF THE DEAD (2011) The Keep (1983) KILLER JOE (2011) The Killers (1966) Killing Them Softly (2012) The-King-of-Comedy-1983 LADY IN CEMENT (1968) LADY TERMINATOR (1989) THE LAST CIRCUS (2010) BERRY GORDY’S THE LAST DRAGON (1985) Lawless (2012) LAWRENCE OF ARABIA (1962) the-leopard-man-movie-poster-1943-1020199765 Leprechaun (1993) A LIFE LESS ORDINARY (1997) LINK (1986) Liz & Dick (TV, 2012) Lockout (2012) The Lords of Salem (2013) Lost Highway THE MAGIC BLADE (1976) MAN OF STEEL (2013) THE MAN WHO KNEW TOO LITTLE (1997) The Man with the Iron Fists (2012) Maniac Cop (1988) THE MANITOU (1978) MASTER OF THE FLYING GUILLOTINE (1976) men-in-war-1957 MIGHTY PEKING MAN (1977) MILANO CALIBRO 9 (1972) MULHOLLAND DR. (2001) MY BLOODY VALENTINE 3-D (2009) My_Darling_Clementine_1946 NakedSpur-1953-MGM-one navajo-joe-1966 NEAR DARK (1987) NEON MANIACS (1986) night of the comet NIGHT OF THE CREEPS (1986) THE NIGHT OF THE HUNTER (1955) Night of the Living Dead (1968) NOSFERATU (1922) NOTORIOUS (2009) OF UNKNOWN ORIGIN (1983) ONLY GOD FORGIVES (2013) OUT OF THE PAST (1947) PACIFIC RIM (2013) pet-sematary-1989 Phenomena (1985) POOTIE TANG (2001) POSSESSION (1981) PREDATOR (1987) Premium Rush (2012) PRIVATE SCHOOL (1983) PULP FICTION (1994) Pursued (1947) q-the-winged-serpent-movie-poster-1983-1020195479 quick-change-poster BERANDAL (2014) RAVENOUS (1999) RAW FORCE (1982) Raw Meat (1972) RE-ANIMATOR (1985) Rear Window (1954) RED RIVER (1948) RED ROCK WEST (1992) Relentless (1989) RIDDICK (2013) tumblr_njo3upN5tn1sy67obo1_540 the road  ROBOCOP (1987) ROBOCOP (2014) SCANNERS  Scott Pilgrim vs. the World (2010) SCROOGED (1988) Shaft (1971) Sheba, Baby (1975) SHOCK WAVES (1977) shogun_assassin SORCERER (1977) source-code Spring Breakers (2013) SQUIRM (1976) STARSHIP-TROOPERS-1997 story of ricky  STREET TRASH (1987) Streets-Of-Fire-1984 THE STUNT MAN (1980) SUDDEN IMPACT (1983) Super (2011) SUSPIRIA (1977) switchblade_sisters_poster_02 (1) TAXI DRIVER (1976) The Texas Chainsaw Massacre (1974) Texas Chainsaw 3D (2013) THE THING (1982) THIS IS THE END (2013) thriller TORQUE (2004) touch of evil The Town That Dreaded Sundown (1976) TREMORS (1990) TRICK ‘R TREAT (2007) THE TWILIGHT PEOPLE (1972) THE UNKNOWN (1927) Under The Dome VAMPIRE’S KISS (1988) VERTIGO-1958-649x1024 Vigilante (1983) vigilante force THE VISITOR (1979) WHICH WAY IS UP (1977) WHITE HUNTER  WHY DON’T YOU PLAY IN HELL THE WICKER MAN (1973) winters-bone WITCHBOARD (1986) worlds-greatest-dad-2009 ZODIAC (2007) ZOMBI 2 (1979) ZOMBIELAND (2009)

Make Daily Grindhouse your daily destination for genre movie news, reviews, and interviews — there’s a ton of truly great content over there, beyond just the parts with my name on ’em.

And follow me on Twitter for updates!: @jonnyabomb

It was probably HUGO that did it, but I went on a strong silent movie kick for a while.  So this is a movie I only got around to at the end of last year.  It holds up and then some.  THE UNKNOWN (1927) is one of the strongest, most fantastically bizarre collaborations between director Tod Browning and star Lon Chaney.  In it, Lon Chaney plays an armless knife thrower named ‘Alonzo The Armless.’

For real now:  Doesn’t that make you want to skip the rest of this article and go watch this movie right away?

All of the Tod Browning/ Lon Chaney collaborations I’ve seen are exactly this level of crazy.  These two artists were, for a while there, as perfect a match as Leone and Eastwood.  Besides his command of eerie and ominous atmosphere behind the camera, Browning had been a circus performer himself, a clown and a daredevil, so he knew these worlds. Chaney was a master of pathos and the macabre, fully able to meet any of the bizarre physical demands Browning needed from him.

Needless to say I’m a Tod Browning fan.  Nobody else made movies like his. The closest you could come, for that mix of playful and menacing, is arguably early Tim Burton, or recent Alex De La Iglesia.  I spent time studying Browning’s movies, most notably 1932’s FREAKS, for one of the comics I wrote.  (Which, for the record, is still available in stores and online!)

But FREAKS came a few years after THE UNKNOWN – FREAKS is better-known because it has sound and because the titular “freaks” were actually deformed, whereas Chaney was only playing at it (albeit doing so while in excruciating pain, if you read up on the history.)  THE UNKNOWN also comes before 1928’s LAUGH, CLOWN, LAUGH in the Lon Chaney chronology.  This is a much more depraved character, in a much more depraved movie.

Chaney plays Alonzo The Armless, a sideshow freak whose act is flinging knives at his partner Nanon (Joan Crawford) using only his feet.  He can do other things with his feet, such as play guitar…

…But the main thing to look out for is that knife-throwing.  Alonzo’s not that nice a guy, and he’s also a fake.  Turns out he has both his arms — he’s only hiding out in the circus because he’s a career criminal, who is easily identifiable because he has two thumbs on one hand.

TWO

THUMBS

ON

ONE

HAND.

Daaaaaah!  This movie is wild.  Okay, so Alonzo is technically a genetic aberration, only not the kind he purports to be.  It’s the perfect cover story!  Because not only does he need to hide his identity from the authorities, but he’s trying to not let on to Nanon, the woman he loves, that he is THE SAME TWO-THUMBED MAN WHO KILLED HER FATHER!

Alonzo’s only confidante is a little person named Cojo.  It really just keeps getting better, doesn’t it?  Alonzo fumes to Cojo as his beloved Nanon gets closer to the circus strongman — but not too close, as since her father was killed, she has developed a phobia of being held.  This in turn leaves the door wide open for the romantic advances of Alonzo, as long as he doesn’t reveal to her that he actually does have arms.  (It’s a little bit like TOOTSIE!)  Alonzo gets so wrapped up in his babe that he makes the spectacularly bad decision to go get his arms amputated.  Fellas, don’t make this mistake with your lady, and I’ll tell you why:  While he’s recovering, Nanon gets over her arm phobia.  Not only that, but she announces that she’s marrying the circus strongman.  Well, Alonzo doesn’t take this news well at all, and that’s where everything gets really Tod Browning all over everybody.

What’s so compelling and so unusual about THE UNKNOWN, and about so many of Tod Browning’s films, is that it begins on a malevolent note and that only intensifies, until the typically violent climax, where the movie’s villain gets a karmic comeuppance so horrible that it’s barely even gratifying to watch.  And of course what’s so uncommon, never more than today, is how the movie’s villain was the main character and the biggest star.  It just shows how very much Lon Chaney brought to the movie, and to movies in general.

How many stars are brave enough to allow themselves to be shown in so ugly a light?  Alonzo is an evil, angry, murderous character, only occasionally sympathetic, but clearly that doesn’t keep him from being interesting.  Tod Browning’s movies were provocative, profound, and truly valuable because his bad people were truly nasty brutes, and the so-called “freaks” were the most human out of anyone.  Then again, being human doesn’t always mean being good either.  The world is a complicated place.

THE UNKNOWN is playing on TCM late tonight, at 1:30am EST.  Check your local listings for possible variations.

For more on Tod Browning, here again are my pieces on 1925’s THE UNHOLY THREE, and of course, on 1931’s DRACULA.

And here’s the renowned Dave Kehr on several other Lon Chaney films.

And here’s me on Twitter, rarely silent: @jonnyabomb

This collection has been much-requested and a long time coming.  To get at the reviews, just click on the movie poster of your choice.  And be sure to bookmark this page, because it’s bound to get updated frequently!

         Age Of The Dragons (2011) Alex Cross (2012)          Assault On Precinct 13 (1976)      A Band Called Death (2013)  The Bay (2012) The Baytown Outlaws (2013).        Big Fan (2009) The Big Gundown (1966)    Black Death (2010)          The Brides Of Dracula (1960) Bring it On (2000) Brothers (2009)               Cloud Atlas (2012)   Conan The Barbarian (1982) Conquest (1983)    CREEP (2004)  

The Dark Knight (2008) The Dark Knight Rises (2012)       Days of Thunder (1990)         Django Unchained (2012)           EQUINOX (1970) Escape from New York (1981) Evil Dead (2013)         Fist Of Legend (1994) Flight (2012)       The Gauntlet (1977) Get Carter (1971)    gi_joe_retaliation_ver30 THE GIRL WITH THE DRAGON TATTOO (US, 2011).          The Grey (2012) Halloween (1978)       Hardbodies (1984) Hardware (1990)   The Haunted World of El Superbeasto (2009)    Hit Man (1972)          The Iceman (2013)     THE INGLORIOUS BASTARDS (1978).   THE INSIDER (1999)  The Invisible Man (1933)  Iron Man 3 (2013) Island Of Lost Souls (1933)      The Keep (1983)   Killer Joe (2012) The Killers (1966) Killing Them Softly (2012)          LadyTerminator                Lincoln (2012)   The Lords of Salem (2013)      The Man Who Shot Liberty Valance (1962) Manborg Maniac Cop (1988)  THE MANITOU (1978)  MEN IN WAR (1957)      MULHOLLAND DR. (2001)     NEAR DARK (1987)      Night of the Living Dead (1968)          Peeples (2013) A Perfect World (1993)      PLAY MISTY FOR ME (1971)        THE PROFESSIONALS (1966)      The Raid (2012)       Red Tails (2012) Relentless (1989)    SALT (2010) Bill Hicks Sane Man (1989)   SCROOGED (1988)  Severance (2006) Shaft (1971)       Southern Comfort (1981)    Spring Breakers (2013)  THE SQUID &THE WHALE (2005)  State of Play (2009)              Teddy Bear (2012) The Texas Chainsaw Massacre (1974) Texas Chainsaw 3D (2013)    This Is The End (2013)   The Tourist (2010)  THE TOWN THAT DREADED SUNDOWN (1976)    TREMORS (1990)  Triangle (2009)       Tyson (2008)       Vigilante (1983)